[{"data":1,"prerenderedAt":132},["ShallowReactive",2],{"projects-index":3},[4,61,91],{"id":5,"title":6,"body":7,"collaborator":46,"cover":47,"coverAlt":48,"description":49,"extension":50,"externalUrl":51,"featured":52,"meta":53,"navigation":52,"path":54,"projectType":55,"role":56,"seo":57,"stem":58,"year":59,"__hash__":60},"projects\u002Fprojects\u002Ffield-notes.md","Field Notes",{"type":8,"value":9,"toc":42},"minimark",[10,17,24,30,33,39],[11,12,13,16],"p",{},[14,15,6],"em",{}," is a sound installation built from recordings gathered across\nWest Java: a market opening before sunrise, rain on a tin roof, and the soft\nrhythm of a train crossing a bridge.",[11,18,19],{},[20,21],"img",{"alt":22,"src":23},"Night market lights on Asia-Afrika street, Bandung. Photograph by RasyaAbhirama13, CC BY-SA 4.0.","\u002Fimages\u002Fnight-at-asia-afrika-street-bandung.jpg",[11,25,26],{},[20,27],{"alt":28,"src":29},"Bandung's station platforms late in the evening, lights on and mostly empty. Photograph by Midori, CC BY 3.0.","\u002Fimages\u002Fbandung-station-platform.jpg",[11,31,32],{},"The work asks visitors to slow down and listen for the geography inside an\nordinary day.",[11,34,35],{},[20,36],{"alt":37,"src":38},"City lights seen from the hills above Bandung at night. Photograph by chrisinno, CC BY 2.0.","\u002Fimages\u002Fbandung-night-view-dago.jpg",[11,40,41],{},"For one month the theatre stayed open after dark, the speakers left running,\nso passersby on the square could hear the recordings migrate through the\nbuilding as the night cooled.",{"title":43,"searchDepth":44,"depth":44,"links":45},"",2,[],"Ruang Bunyi","\u002Fimages\u002Fbandung-city-at-night-2517163687.jpg","Bandung after dark, where the recordings were gathered. Photograph by Syed Abdul Khaliq, CC BY 2.0.","A sound installation built from recordings gathered across West Java — bus depots, night markets, the hill wind in Dago — arranged for twelve speakers in the old municipal theatre with Ruang Bunyi.","md",null,true,{},"\u002Fprojects\u002Ffield-notes","Sound installation","Composer and sound artist",{"title":6,"description":49},"projects\u002Ffield-notes",2025,"tHWe6dArH4LSvg3Pku8mMEu49S2TFenViSGrKH5Liko",{"id":62,"title":63,"body":64,"collaborator":79,"cover":80,"coverAlt":81,"description":82,"extension":50,"externalUrl":51,"featured":52,"meta":83,"navigation":52,"path":84,"projectType":85,"role":86,"seo":87,"stem":88,"year":89,"__hash__":90},"projects\u002Fprojects\u002Fnocturne.md","Nocturne",{"type":8,"value":65,"toc":77},[66,69,74],[11,67,68],{},"An original score for a short film about memory, distance, and returning home.\nThe score combines prepared piano, tape loops, and a small ensemble of found\npercussion.",[11,70,71],{},[20,72],{"alt":73,"src":38},"Dago hills overlooking the lights of Bandung at dusk. Photograph by chrisinno, CC BY 2.0.",[11,75,76],{},"The cue sheet was built backward: first the sound of every room the story\nhappens in, then the pitch each space already suggests — nothing plays over a\nclose-up that the room would not itself have answered.",{"title":43,"searchDepth":44,"depth":44,"links":78},[],"Mira Santoso","\u002Fimages\u002Frainy-lights.jpg","Rain against the studio window while the score was being written. Photograph by Defi22, CC BY-SA 4.0.","An original score for a short film about memory and returning home — four cues built from detuned piano, tape hiss, and one abandoned field recording of a rainstorm, mixed close so the watching room breathes with the story.",{},"\u002Fprojects\u002Fnocturne","Film score","Composer",{"title":63,"description":82},"projects\u002Fnocturne",2024,"pTMdMDDqcwMTrdSIW7J7Jz0NTsievU5zeckD3eTKYLk",{"id":92,"title":93,"body":94,"collaborator":119,"cover":120,"coverAlt":121,"description":122,"extension":50,"externalUrl":51,"featured":123,"meta":124,"navigation":52,"path":125,"projectType":126,"role":127,"seo":128,"stem":129,"year":130,"__hash__":131},"projects\u002Fprojects\u002Ftide-memory.md","Tide Memory",{"type":8,"value":95,"toc":117},[96,99,105,108,114],[11,97,98],{},"An audiovisual performance about coastlines that keep changing. The live set\nuses sampled voices, modular synthesis, and projected images gathered near the\nwater.",[11,100,101],{},[20,102],{"alt":103,"src":104},"A Moog DFAM and Mother-32 semi-modular synthesizer on a desk. Photograph via Wikimedia Commons, CC0.","\u002Fimages\u002Fmoog-drummer-from-another-mother-dfam-mother.jpg",[11,106,107],{},"Between takes the set runs through an effects rack that predates the project —\npatches taped down, levels set by ear.",[11,109,110],{},[20,111],{"alt":112,"src":113},"An effects rack with a Yamaha SPX90 and a Peavey DPM Spectrum in a home studio. Photograph by Klara Kopf, CC BY 2.0.","\u002Fimages\u002Feffects-rack-yamaha-spx90-peavey-dpm-spectrum.jpg",[11,115,116],{},"The performance is played, not reproduced: each night's tide chart sets the\ntempo, and the projected maps are redrawn live from whatever the local weather\nand clock hand the rig.",{"title":43,"searchDepth":44,"depth":44,"links":118},[],"Studio Pasang","\u002Fimages\u002Fdark-blue-sea-dusk.jpg","A coastline resetting itself at dusk — a long exposure. Photograph by Laurent Virzi, CC BY-SA 3.0.","A live audiovisual performance about coastlines that keep changing — two synths, taped gravel and projected maps drift against each other, while the noise of the playing room quietly reshapes the picture.",false,{},"\u002Fprojects\u002Ftide-memory","Live performance","Musician and producer",{"title":93,"description":122},"projects\u002Ftide-memory",2023,"0vd8BMwGCV0B-2PswFeopfHytPHchkI_jjaNTcT8p30",1792649186117]