[{"data":1,"prerenderedAt":132},["ShallowReactive",2],{"project-nocturne":3,"project-\u002Fprojects\u002Fnocturne-adjacent":42},{"id":4,"title":5,"body":6,"collaborator":27,"cover":28,"coverAlt":29,"description":30,"extension":31,"externalUrl":32,"featured":33,"meta":34,"navigation":33,"path":35,"projectType":36,"role":37,"seo":38,"stem":39,"year":40,"__hash__":41},"projects\u002Fprojects\u002Fnocturne.md","Nocturne",{"type":7,"value":8,"toc":23},"minimark",[9,13,20],[10,11,12],"p",{},"An original score for a short film about memory, distance, and returning home.\nThe score combines prepared piano, tape loops, and a small ensemble of found\npercussion.",[10,14,15],{},[16,17],"img",{"alt":18,"src":19},"Dago hills overlooking the lights of Bandung at dusk. Photograph by chrisinno, CC BY 2.0.","\u002Fimages\u002Fbandung-night-view-dago.jpg",[10,21,22],{},"The cue sheet was built backward: first the sound of every room the story\nhappens in, then the pitch each space already suggests — nothing plays over a\nclose-up that the room would not itself have answered.",{"title":24,"searchDepth":25,"depth":25,"links":26},"",2,[],"Mira Santoso","\u002Fimages\u002Frainy-lights.jpg","Rain against the studio window while the score was being written. Photograph by Defi22, CC BY-SA 4.0.","An original score for a short film about memory and returning home — four cues built from detuned piano, tape hiss, and one abandoned field recording of a rainstorm, mixed close so the watching room breathes with the story.","md",null,true,{},"\u002Fprojects\u002Fnocturne","Film score","Composer",{"title":5,"description":30},"projects\u002Fnocturne",2024,"pTMdMDDqcwMTrdSIW7J7Jz0NTsievU5zeckD3eTKYLk",[43,84],{"id":44,"title":45,"body":46,"collaborator":71,"cover":72,"coverAlt":73,"description":74,"extension":31,"externalUrl":32,"featured":75,"meta":76,"navigation":33,"path":77,"projectType":78,"role":79,"seo":80,"stem":81,"year":82,"__hash__":83},"projects\u002Fprojects\u002Ftide-memory.md","Tide Memory",{"type":7,"value":47,"toc":69},[48,51,57,60,66],[10,49,50],{},"An audiovisual performance about coastlines that keep changing. The live set\nuses sampled voices, modular synthesis, and projected images gathered near the\nwater.",[10,52,53],{},[16,54],{"alt":55,"src":56},"A Moog DFAM and Mother-32 semi-modular synthesizer on a desk. Photograph via Wikimedia Commons, CC0.","\u002Fimages\u002Fmoog-drummer-from-another-mother-dfam-mother.jpg",[10,58,59],{},"Between takes the set runs through an effects rack that predates the project —\npatches taped down, levels set by ear.",[10,61,62],{},[16,63],{"alt":64,"src":65},"An effects rack with a Yamaha SPX90 and a Peavey DPM Spectrum in a home studio. Photograph by Klara Kopf, CC BY 2.0.","\u002Fimages\u002Feffects-rack-yamaha-spx90-peavey-dpm-spectrum.jpg",[10,67,68],{},"The performance is played, not reproduced: each night's tide chart sets the\ntempo, and the projected maps are redrawn live from whatever the local weather\nand clock hand the rig.",{"title":24,"searchDepth":25,"depth":25,"links":70},[],"Studio Pasang","\u002Fimages\u002Fdark-blue-sea-dusk.jpg","A coastline resetting itself at dusk — a long exposure. Photograph by Laurent Virzi, CC BY-SA 3.0.","A live audiovisual performance about coastlines that keep changing — two synths, taped gravel and projected maps drift against each other, while the noise of the playing room quietly reshapes the picture.",false,{},"\u002Fprojects\u002Ftide-memory","Live performance","Musician and producer",{"title":45,"description":74},"projects\u002Ftide-memory",2023,"0vd8BMwGCV0B-2PswFeopfHytPHchkI_jjaNTcT8p30",{"id":85,"title":86,"body":87,"collaborator":120,"cover":121,"coverAlt":122,"description":123,"extension":31,"externalUrl":32,"featured":33,"meta":124,"navigation":33,"path":125,"projectType":126,"role":127,"seo":128,"stem":129,"year":130,"__hash__":131},"projects\u002Fprojects\u002Ffield-notes.md","Field Notes",{"type":7,"value":88,"toc":118},[89,95,101,107,110,115],[10,90,91,94],{},[92,93,86],"em",{}," is a sound installation built from recordings gathered across\nWest Java: a market opening before sunrise, rain on a tin roof, and the soft\nrhythm of a train crossing a bridge.",[10,96,97],{},[16,98],{"alt":99,"src":100},"Night market lights on Asia-Afrika street, Bandung. Photograph by RasyaAbhirama13, CC BY-SA 4.0.","\u002Fimages\u002Fnight-at-asia-afrika-street-bandung.jpg",[10,102,103],{},[16,104],{"alt":105,"src":106},"Bandung's station platforms late in the evening, lights on and mostly empty. Photograph by Midori, CC BY 3.0.","\u002Fimages\u002Fbandung-station-platform.jpg",[10,108,109],{},"The work asks visitors to slow down and listen for the geography inside an\nordinary day.",[10,111,112],{},[16,113],{"alt":114,"src":19},"City lights seen from the hills above Bandung at night. Photograph by chrisinno, CC BY 2.0.",[10,116,117],{},"For one month the theatre stayed open after dark, the speakers left running,\nso passersby on the square could hear the recordings migrate through the\nbuilding as the night cooled.",{"title":24,"searchDepth":25,"depth":25,"links":119},[],"Ruang Bunyi","\u002Fimages\u002Fbandung-city-at-night-2517163687.jpg","Bandung after dark, where the recordings were gathered. Photograph by Syed Abdul Khaliq, CC BY 2.0.","A sound installation built from recordings gathered across West Java — bus depots, night markets, the hill wind in Dago — arranged for twelve speakers in the old municipal theatre with Ruang Bunyi.",{},"\u002Fprojects\u002Ffield-notes","Sound installation","Composer and sound artist",{"title":86,"description":123},"projects\u002Ffield-notes",2025,"tHWe6dArH4LSvg3Pku8mMEu49S2TFenViSGrKH5Liko",1792649186268]