[{"data":1,"prerenderedAt":84},["ShallowReactive",2],{"project-tide-memory":3,"project-\u002Fprojects\u002Ftide-memory-adjacent":52},{"id":4,"title":5,"body":6,"collaborator":36,"cover":37,"coverAlt":38,"description":39,"extension":40,"externalUrl":41,"featured":42,"meta":43,"navigation":44,"path":45,"projectType":46,"role":47,"seo":48,"stem":49,"year":50,"__hash__":51},"projects\u002Fprojects\u002Ftide-memory.md","Tide Memory",{"type":7,"value":8,"toc":32},"minimark",[9,13,20,23,29],[10,11,12],"p",{},"An audiovisual performance about coastlines that keep changing. The live set\nuses sampled voices, modular synthesis, and projected images gathered near the\nwater.",[10,14,15],{},[16,17],"img",{"alt":18,"src":19},"A Moog DFAM and Mother-32 semi-modular synthesizer on a desk. Photograph via Wikimedia Commons, CC0.","\u002Fimages\u002Fmoog-drummer-from-another-mother-dfam-mother.jpg",[10,21,22],{},"Between takes the set runs through an effects rack that predates the project —\npatches taped down, levels set by ear.",[10,24,25],{},[16,26],{"alt":27,"src":28},"An effects rack with a Yamaha SPX90 and a Peavey DPM Spectrum in a home studio. Photograph by Klara Kopf, CC BY 2.0.","\u002Fimages\u002Feffects-rack-yamaha-spx90-peavey-dpm-spectrum.jpg",[10,30,31],{},"The performance is played, not reproduced: each night's tide chart sets the\ntempo, and the projected maps are redrawn live from whatever the local weather\nand clock hand the rig.",{"title":33,"searchDepth":34,"depth":34,"links":35},"",2,[],"Studio Pasang","\u002Fimages\u002Fdark-blue-sea-dusk.jpg","A coastline resetting itself at dusk — a long exposure. Photograph by Laurent Virzi, CC BY-SA 3.0.","A live audiovisual performance about coastlines that keep changing — two synths, taped gravel and projected maps drift against each other, while the noise of the playing room quietly reshapes the picture.","md",null,false,{},true,"\u002Fprojects\u002Ftide-memory","Live performance","Musician and producer",{"title":5,"description":39},"projects\u002Ftide-memory",2023,"0vd8BMwGCV0B-2PswFeopfHytPHchkI_jjaNTcT8p30",[41,53],{"id":54,"title":55,"body":56,"collaborator":72,"cover":73,"coverAlt":74,"description":75,"extension":40,"externalUrl":41,"featured":44,"meta":76,"navigation":44,"path":77,"projectType":78,"role":79,"seo":80,"stem":81,"year":82,"__hash__":83},"projects\u002Fprojects\u002Fnocturne.md","Nocturne",{"type":7,"value":57,"toc":70},[58,61,67],[10,59,60],{},"An original score for a short film about memory, distance, and returning home.\nThe score combines prepared piano, tape loops, and a small ensemble of found\npercussion.",[10,62,63],{},[16,64],{"alt":65,"src":66},"Dago hills overlooking the lights of Bandung at dusk. Photograph by chrisinno, CC BY 2.0.","\u002Fimages\u002Fbandung-night-view-dago.jpg",[10,68,69],{},"The cue sheet was built backward: first the sound of every room the story\nhappens in, then the pitch each space already suggests — nothing plays over a\nclose-up that the room would not itself have answered.",{"title":33,"searchDepth":34,"depth":34,"links":71},[],"Mira Santoso","\u002Fimages\u002Frainy-lights.jpg","Rain against the studio window while the score was being written. Photograph by Defi22, CC BY-SA 4.0.","An original score for a short film about memory and returning home — four cues built from detuned piano, tape hiss, and one abandoned field recording of a rainstorm, mixed close so the watching room breathes with the story.",{},"\u002Fprojects\u002Fnocturne","Film score","Composer",{"title":55,"description":75},"projects\u002Fnocturne",2024,"pTMdMDDqcwMTrdSIW7J7Jz0NTsievU5zeckD3eTKYLk",1792649186268]